Monday, September 01, 2014

Book Review -- 1 Samuel for You

1 Samuel For You by Tim Chester is the fifth installment in the God's Word for You series published by The Good Book Company. As noted in the Preface, the series is intended to provide expository Biblical studies for a broad audience in a manner that is "Bible centered, Christ glorifying, relevantly applied, and easily readable." Each volume is written with three different purposes/audiences in mind: "Read," as a guide to the contents of the Biblical book; "Feed," as a daily devotional, and "Lead," as a resource for preaching and teaching through the Biblical text. The series isn't intended to provide scholarly commentary, and the reader is not expected to have understanding of the Biblical languages or even a high level of Scriptural knowledge. 1 Samuel For You begins with a brief introduction to the book's themes and historical/canonical background, and each subsequent chapter focuses on a 1-2 chapter block of the Biblical text. In addition to examining the details of the specific text, Chester highlights points of connection with other sections of Scripture (both Old and New Testament) and applications for the Christian reader. Each chapter contains questions for further reflection, and the book contains a glossary and Appendices. 

In my review of the series' initial volume (Galatians For You), I noted that author Timothy Keller had set an extremely high bar for the series and that I even pitied authors of subsequent installments. But 1 Samuel For You is every bit as good, and Tim Chester does a magnificent job working within the Read/Feed/Lead format of the series. By far the book's biggest strength is Chester's command of the Biblical text itself. Although the series is intended for a broader audience, Chester does a tremendous job of analyzing the text: not only does he focus on technical details such as uses of chiastic structure or plays on words in the original Hebrew, but he also communicates their significance so as to remain accessible to the layperson. Furthermore, he connects the details in individual verses to the larger context of 1 Samuel. For example, in his opening chapter, Chester argues that the account of Hannah in in 1 Samuel 1-2 is not a mere example of faith in the midst of adversity (as some treat it); instead, this account, especially through Hannah's prayer, introduces the theme of reversals that runs throughout the book, whereby God "humbles and exalts" (2:7), lifting up the poor and needy while silencing the wicked (2:8-9). Throughout the narrative, Chester demonstrates recurrences of this theme, culminating in the tragic fall of the asked-for king Saul and the unexpected ascent of the shepherd boy David to the throne.    

Chester also excels in connecting 1 Samuel to the larger canon of Scripture. For example, he demonstrates how the early chapters of the book present a continuation of the cycle established in the book of Judges, whereby Israel's sin leads to God's judgment, and their repentance results in God sending a deliverer - in this case, Samuel. Furthermore, the repeated refrain in Judges that the people were in disarray because "in those days Israel had no king" at first seems headed towards a positive resolution with Saul, whose ascent to the throne is described with several allusions back to Judges. Yet Saul, despite his kingly station, proves every bit as fallible as previous judges of Israel. More importantly, Chester highlights how the failure of Saul sets the stage for the rise of David to the throne. 1 Samuel, as he notes, is not really about the transition of Israel from the reign of Saul to that of David; rather, it is about the shift from no monarchy to monarchy. Moses had anticipated that Israel would one day have a king (see Deuteronomy 17) -- the question is whether they would choose a king like those of the nations or one of God's choosing. 1 Samuel portrays two different options for how Moses' words could find fulfillment.

Chester not only demonstrates connections between 1 Samuel and the Old Testament, but more importantly, he also shows how David prefigures the coming of Jesus. Not that David is a mere cipher -- on the contrary, 1 Samuel presents him in exemplary terms. Despite his humble origins, he is chosen by God to be king (keeping with the theme of reversals throughout the book). He is repeatedly tested, particularly with the temptation to seize by force the throne that God had already promised to him. Yet David refuses to harm the Lord's anointed and spares Saul's life on more than one occasion. Instead of claiming what is rightfully his, David endures many years of betrayal and suffering before he comes to the throne. Chester masterfully connects these details of David's life with that of Jesus, who surrendered his divine rights and willingly lived "on the margins" and faced rejection and betrayal for the sake of a higher calling. These frequent connections between David's life and the typological fulfillment in Jesus Christ permeate Chester's book; furthermore, Chester draws practical applications for Christian readers of 1 Samuel by demonstrating how this pattern of enduring suffering on the way to glory still holds for followers of Jesus. 

Overall, I thoroughly enjoyed 1 Samuel For You, and I think any Christian reader would be edified by it. Tim Chester does a wonderful job of connecting the book of 1 Samuel to the larger Biblical drama of redemption in a straightforward and engaging manner, doing a particularly good job of demonstrating how the book points to the ultimate fulfillment of God's purposes in Jesus Christ. My only real criticism is the same one I made about Keller's Galatians For You, concerning the Read/Feed/Lead format of the series: I'm still not sure the book succeeds as a one-stop shop for preaching and teaching through the book. I would certainly use it as a resource, but in conjunction with others. That said, Chester offers many keen insights on 1 Samuel concerning both the details of the text and applications for Christian readers, such that teachers and preachers would do well to consult it in their preparations. I guess my only other complaint is that it only covers 1 Samuel -- as Chester notes in the introduction, 1 and 2 Samuel were originally a single volume. I truly hope that Dr. Chester has a 2 Samuel For You in the works! 

(Disclaimer: I received a free copy of the book in exchange for writing a review, though without any stipulations on its content.)        

Monday, June 23, 2014

Book Review -- Worshipping With Calvin: Recovering the Historic Ministry and Worship of Reformed Protestantism

“Our sense of urgency is profound as we survey the ecclesiastical landscape,” states Terry L. Johnson in the opening chapter of Worshipping With Calvin, as he recounts the rapid decline of American Evangelical Christians’ fidelity to historic Christian beliefs, morals and piety. Invoking the maxim lex orandi, lex credenda, lex vivendi (“The law of prayer is the law of faith is the law of life”), Johnson asserts that public worship is too often overlooked as a major factor influencing whether or not Christians remain committed to their faith. Furthermore, he argues that many recent innovations to public worship have directly contributed to the overall decline of American Evangelicalism. Johnson’s appeal is for Christians, especially those among the neo-Calvinists of the “young, restless, reformed” movement to “recover the historic ministry and worship of Reformed Protestantism,” in hopes that it would prove just as beneficial to their Christian faith and practice as it has for generations of Christians who have gone before.

After the introductory chapter, Johnson lays out a two-pronged case advocating Reformed Worship and Ministry. The first line of argumentation is along exegetical and historical grounds. Drawing significantly from the work of Hughes Oliphant Old (to whom the book is dedicated), Johnson demonstrates the many ways in which the Reformers sought to base their liturgical reforms primarily on the Scriptures, and then secondarily on the practices of the early church. Instead of manmade traditions, they attempted to pattern the elements of Christian worship after the ways described Bible itself, such as lectio continua reading of the Scriptures, manifold types of prayers, singing of psalms and hymns, and the understanding of the sacraments as visible, covenantal signs. Next, Johnson makes the case for Reformed worship along theological grounds, demonstrating how the Reformers applied the 5 Sola mottoes of the Reformation – sola scriptura, solus Christus, sola fide, sola gratia, and soli Deo Gloria – directly to their liturgical reforms. For example, the principle of sola scriptura gave rise to the Reformed regulative principle of worship, which limits worship practices to only those specified in the Bible. As Johnson argues, both the theological applications of the Reformers and their exegetical/historical research converge to make a persuasive case for the liturgical reforms enacted by the Protestant Reformers.

In the next section of the book, Johnson lays out the following five strengths of Reformed Worship (and compares them with corresponding weaknesses in other approaches to worship):
  • “It is God-centered” – the focus of Christian corporate gathering on the Lord’s Day is to worship God. Believers may be edified by the service, and non-believers may be evangelized, but these are by-products of worship and not the intended purpose.
  • “It is Bible-Filled” - Christian worship is to be saturated with the Bible. The Scriptures should be read publicly and taught. Furthermore, the content of prayers, singing and preaching should all draw heavily from the Scriptures. Lastly, Christian worship should make diligent use of the “visible Word,” the sacraments of the Lord’s Supper and Baptism, which sign and seal the proclamations of the Scriptures.
  • “It is Gospel-Structured” – Christian worship should focus on Christ, re-presenting to us the work of redemption he accomplished. Both in its content and arrangement, Christian worship should clearly portray the gospel and underscore our reliance on Christ not only for forgiveness of sins but for life itself.
  • “It is Church-Aware” – Christian worship should consider the catholicity and traditions of the church. As a result, forms of worship that are innovations or are geared towards a limited niche should be passed over in favor of historic forms that have served the church well across many centuries, lands, and peoples.
  • “It is Spirit-Dependent” – Christian worship should rely on the Holy Spirit to work in the hearts and minds of God’s people. This does not require adopting the more extreme phenomena often associated with the Spirit, but rather entails a constant attitude of dependence on the Spirit to work through the means of grace He has ordained.
Worshipping With Calvin has much to commend to readers. Johnson was a student of Hughes Old, and Johnson’s presentation makes good use of Old’s large body of research on Christian worship, especially on the Reformers attempts to base their liturgical reforms not only on the practices of the patristic era, but ultimately on the Scriptures themselves. Each chapter is thoroughly documented, and Johnson provides a lengthy bibliography for additional study.

I found the two chapters on how “It [i.e., Reformed worship] Is Bible-filled” to be the most compelling in the book. Not only does Johnson demonstrate how the Reformers reinstated the practice of lectio continua reading of the Scripture, he shows how greatly they valued extended readings, due to their confidence in the Spirit’s working through the Word. I was also very much intrigued by how the Reformers incorporated the Scriptures into their public prayers, drawing on both content and patterns of prayer recorded in the Bible. As Johnson demonstrates, the Reformers placed a great deal of importance in composing prayers that would be rich in Scriptural content and (as a result) would edify the congregation. I also appreciated the emphasis that Johnson places on the “visible Word” – the sacraments of the Lord’s Supper and Baptism – in the life of the congregation and its public worship. Throughout these two chapters, Johnson skillfully explains how the Reformers integrated Scripture into every aspect of their liturgical reforms.

The book was not without a few weaknesses. For example, Johnson argues that worship should be “simple” and done with “dependence upon the Holy Spirit, rather than rituals and ceremonies.” While I certainly agree that the excesses of the medieval church should have been abandoned, I’m not sure an outright rejection of ritual and ceremony is wise. As James K.A. Smith has argued, habits and practices can play a major role in Christian formation, and it seems to me that a more profitable approach would be to identify which rituals and ceremonies might be beneficial to nurturing Christian faith, rather than trying to completing eradicate them (as if that were actually possible!). Of greater concern is Johnson’s almost complete dismissal of contemporary worship styles. These styles are consistently presented negatively, and “metrical psalms and biblical/classical hymns” (curiously, there’s no mention of “spiritual songs”) are lauded as the standard for Christian worship music. It is only in Chapter 8 that Johnson states that Christian worship should “conserve the best from the past and add the best from the present,” implying the possibility of acceptable new music. I am very much in agreement with his argument that Christian worship should consider the catholicity and traditions of the church, and should be wary of abandoning historic forms altogether. But I also believe that the Spirit is still at work today, and it is unwise to close the door to edifying contributions to the life of the Church. After all, each of the metrical psalms and biblical hymns that Johnson advocates was once a new song, and many of them were put into use by the Church shortly after their composition. I’m hoping that Johnson’s forthcoming volume on implementing Reformed worship (Serving With Calvin) will provide some practical guidance on how he envisions “add[ing] the best from the present.”

Overall, Worshipping With Calvin is well-researched and well-argued. I would recommend the book to anyone interested in the topic of Christian worship. Even those outside the Reformed tradition will be challenged and exhorted to examine how they worship, and hopefully encouraged to return to the Bible for guidance on how to worship God as He would desire.

(Disclaimer: I received a copy of this book in exchange for writing a review, with no obligation to provide a favorable opinion.)

Tuesday, April 22, 2014

Music Review: The Mantis and the Moon

About six months ago, I received a copy of an EP called The Mantis and the Moon in my mailbox.

In my relatively short life, I've heard a number of indie artists. Some friends, some friends of friends. Some completely unknown to me. (Full disclosure: I've met Chris Slaten, the man behind Son of Laughter, because we've known his wife since our early concert-going days.) But I've never listened to a batch of songs that so completely and pleasantly surprised me as this one.

From the Simonesque opening to the final lovely fade, I was completely captivated by both the music and the images his words evoke. As his opening stanza of "Cricket in a Jar" so poignantly expresses:

Catch the moment. The moment has passed!
This is a law of loveliness: we love what never lasts.
Try and hold it; it slips right through.
Before you know the garden's grown. There's nothing left to do. 

I am unable to recreate the euphoria of the first time I heard those words sung. Sheer joy. Parenthood is the intended target, but anything ethereal is covered here.

Bolstered by Ben Shive's excellent production, the music is made all the richer by the added instrumentation. The subtle percussion and catchy hooks help congeal Slaten's songs into your brain long after you stop listening.

The EP ended up in my car CD player and it hasn't left. It's still the first thing I turn to when I tire of NPR. Or the Classical Conversations Cycle 2 songs. (Which is often.) An added bonus: my kids love it.

Slaten is above all a talented wordsmith, and the lyrics only get richer with repeated listens. His mad-scientist combinations of allusions and metaphors floored me.

Drawing inspiration from (among other sources) an African folktale, a nature documentary, and the Grimm's version of Cinderella, these songs are all deeply rooted in Story. The Story. Whether he is waxing poetic about a musician in the middle of rush hour or the mating habits of a feathered friend, these small details turn into ardent Truths.

These songs struck me hard, and I still haven't recovered from the shock. "What trophies, degrees, or hyperboles do you line upon your shelf?" It took me this many months to write this simple review because I was afraid I wouldn't do it justice. Well, I still haven't, but here you are.

If there is any drawback, it may be the placement of the final song, which after the more upbeat offerings early on the EP left me wanting more, and it took me weeks to finally listen to all of "Partington Cove" without wanting to skip back to the beginning to hear "Grace is Gold" again. Still, once I let the lyrics sink in, I was rewarded with a beautiful rendering that perfectly captured that time when Gaines and I were only just beginning to date, often roadtripping to concerts:

Sitting side by side
on the long car rides,
we opened our souls by the seams
and married our dreams.

Now, I do know a little of the Slatens' history and how it mirrors our own, but knowing these things only made the songs more glorious. A mild-mannered English teacher by day, Chris' superpower with words is revealed and made evident in his music.

Catch him (without a cape) at a concert near you -- he'll be touring over the next few months and especially into the summer. We were blessed to be able to hear him live as part of Hutchmoot 2013, and I can say his music translates equally well through an acoustic solo act on stage. Blown away, I was!

I am grateful to have gotten a copy for review, and I request you purchase one (or twenty-three) wherever hidden gems like this are sold. Try The Rabbit Room store first, if you please. And enjoy!

Sunday, April 20, 2014

Seven Stanzas at Easter

“Seven Stanzas at Easter” from Telephone Poles and Other Poems
by John Updike

Make no mistake: if He rose at all
it was as His body;
if the cells' dissolution did not reverse, the molecules
reknit, the amino acids rekindle,
the Church will fall.

It was not as the flowers,
each soft Spring recurrent;
it was not as His Spirit in the mouths and fuddled
eyes of the eleven apostles;
it was as His Flesh: ours.

The same hinged thumbs and toes,
the same valved heart
that — pierced — died, withered, paused, and then
regathered out of enduring Might
new strength to enclose.

Let us not mock God with metaphor,
analogy, sidestepping transcendence;
making of the event a parable, a sign painted in the
faded credulity of earlier ages:
let us walk through the door.

The stone is rolled back, not papier-mache,
not a stone in a story,
but the vast rock of materiality that in the slow
grinding of time will eclipse for each of us
the wide light of day.

And if we will have an angel at the tomb,
make it a real angel,
weighty with Max Planck's quanta, vivid with hair,
opaque in the dawn light, robed in real linen
spun on a definite loom.

Let us not seek to make it less monstrous,
for our own convenience, our own sense of beauty,
lest, awakened in one unthinkable hour, we are
embarrassed by the miracle,
and crushed by remonstrance.

Sunday, April 06, 2014

Heaven IS for Real

At my 10-year high school reunion, as we all sat on the stage in my hometown school auditorium that Friday morning, a few of our classmates read a report from each alum, papers that list what we've done since high school and what we're doing now. Since there were only about 70 members in our graduating class, they actually read them out loud, right there, for everyone in the audience, along with the current crop of high school seniors, to hear.

One of my best friends from high school, sitting right behind me on the stage, had listed as his hobbies things like hiking, photography, and, finally, "cynicism." I about fell out of my chair. I think the reader didn't quite get the joke, because she just moved on to the next report. I thought it was hilarious, mostly because I tend to have those cynical tendencies as well.

Mostly, I'm cynical about goods labeled as "Christian," books and movies and products marketed as spiritual. Especially popular ones. Bestsellers. Books on Oprah. Especially books about the afterlife. Because, really, we just don't know all that much.

After my Mom died, someone gave my Dad a copy of a little book called Heaven is for Real. You've probably heard of it. I secretly rolled my eyes. But he told me it meant a lot to him, so sometime last year when I was visiting my hometown, I borrowed it. Well, it has sat on my bedside table and been shuffled around and moved covered up and uncovered and never really put on a shelf. I've ignored it for ages, sure it was just some marketing ploy or one of those sensational stories you hear about on the Today Show all the time, a near-death experience of white lights and people as angels. Well, there is probably a little of those first things in this, as in all publishers who want their books to sell. But, as I've come to discover, there is also Truth.

Last Sunday afternoon, as I was attempting to clean off some of the skyscraper-like stacks of books that were threatening to topple over onto us as we slept, I found the small yellow paperback with the picture of that goofy, smiling preschooler on it. And I read it. From front to back, in about an hour and a half.
And I cried.

People, I don't care if you read this book. I really don't. Maybe you're cynical like me. Maybe, though, you've already read it and you liked it. Good. Then you might understand what I'm about to say, or perhaps this will offer fresh insights. For everyone else, maybe you'll end this post with some books to add to your rainy day pile.

Three things that struck me as true about this little boy's story:

1. Naming unborn babies.

For the longest time it was just understood that my Mom would outlive my Dad. They planned for that, in a way. Everything was in her name, they were planning to move closer to her best friends from childhood, she was (we thought) in better health. When she passed away so suddenly in October of 2012, while my Dad was just 2 weeks out recovering from hip surgery, I sat with the questions for many months. Reading this book finally gave me peace about the "Why?" and now, I do not have to ask. I do not know the mind of God and cannot understand or fathom His ways, or why my Mom is no longer with us here, but I know He is Good.

The little boy in the book, Colton, recounted that in his "vision" or "dream" or whatever you want to call his experience, he got to meet his older sister, whom his parents had lost to miscarriage before he was even born, and he had never been told about it. (He was still a preschooler at the time of his accident.) She had no name, yet. And he told of another mother who had been reunited with her unborn child and been able to choose her name.

The story he told broke me. I can just imagine my Mother arriving suddenly, being embraced by all these children running up to her and hugging her tight. Perhaps, just perhaps, my Mom passed away first because she needed to be the one to go name all of my baby siblings, my brothers and sisters who are already with God the Father and Jesus in Heaven, waiting for the day when all things will be made new. (If you don't know, my parents lost eight babies to miscarriage or stillbirth before they finally had me. The last was my older sister, pictured above. My mother is buried next to her.)

Finally, finally, she is able to greet them and see them and give them Names.

It reminds me of a quote from another favorite author, Madeline L'Engle, from Walking on Water:
“Stories are able to help us to become more whole, to become Named. And Naming is one of the impulses behind all art; to give a name to the cosmos, we see despite all the chaos.”  

2. I love that Colton described what we "do" in Heaven as "homework." Yes! There is still much learning to do, and lots of work to be done, and we get to learn from the ultimate Teacher, Jesus Himself. The image of sitting on clouds playing harps has always rang false to me. More accurate, or at least a better picture, I think, is at the end of CS Lewis's book The Last Battle, where all the children and their parents and all the citizens of Narnia go on to explore Aslan's Country, learning and running and leaping higher and farther than ever before. Shortly after my mom died, a good friend texted me a portion of that famous quote from the end of the book:
And as He spoke, He no longer looked to them like a lion; but the things that began to happen after that were so great and beautiful that I cannot write them. And for us this the end of all the stories, and we can most truly say that they all lived happily ever after. But for them it was only the beginning of the real story. All their life in this world and all their adventures in Narnia had only been the cover and the title page: now at last they were beginning Chapter One of the Great Story which no one on earth has read: which goes on for ever: in which every chapter is better than the one before.
 We will have an infinite Father and his universe for our adventures! Further up and further in!

3. There is a Dragon. He is real. And he will be defeated! This is basically the whole story of the Bible -- there is a Bridegroom who has saved his Bride from Death, and who has gone out to fight the Dragon and He will return victorious. If you've ever read Genesis, or Revelation, you should know this, but it's just another part that stuck out to me as True. The battle, with angels wielding swords and Jesus, the Conquering King...yes.

 However, this Heaven that Colton describes in the book? I want you to understand something. It is NOT our final hope. If he was given a vision of what we call heaven, it is only the waiting room, the place described in the Bible as "Abraham's bosom" where the children of God are gathered to be with the Lord until Christ comes in his final victory. It is not the place where we get our new bodies. That comes later. When Jesus returns.

This is another assurance I've been learning about over the past four to five years, and that is, there is Life AFTER Life After Death. "Heaven," or what we normally think of as Heaven, which is the place "where people go when the die," is not the final end. The Bible tells us of a New Heaven and  New Earth, when Jesus returns in his final glory, and Heaven comes down with Him. When God will wipe away every tear from our eye and overcome the final enemy, Death. Imagine, Death will be no more! When God burns away everything temporary and remakes the universe. New Creation. New bodies. Eternity with the Father, Spirit and Son!

If you find this intriguing, and are at all interested in reading about how our perceptions of Heaven might be built more on misconstrued ideas from popular culture rather that Scripture, I would recommend these two books (note: contains affiliate links. Must feed book habit.):
There are many more books on this topic, of course, but those two have had the most profound impact on my own thinking. Also, they are written in accessible language, and the former so joyfully and the latter so optimistically that you can't help but go back and search the Scriptures for more.

Of course, to finally get this post out I had to read a bestselling paperback that is far from any kind of theological treatise, but God uses all things for His glory, even, and especially, the testimony of children.

Friday, April 04, 2014

There Will Be Butterflies

A friend of a friend is losing her unborn baby girl today. Another friend is watching cancer eat away at her little boy, though he is putting up a strong fight. I have relatives and friends struggling with loss and pain and grief. Those who are hurting and wondering how to face such a tragedy. The answer? With more Life.

After my Mom died, almost immediately, I began noticing the butterflies. It was October, so is that even the right season? Maybe. No matter, there they were. Little yellow ones. Gorgeous blue and black ones. Monarchs. Mostly the small ones, yellow or white, and I noticed them especially at the grave site. Butterflies have traditionally been a Christian symbol of the resurrection, and so I was comforted. Death is not the end. Where, O Death, is your Victory? Where is your sting?

And then I found this wonderful quote in ND Wilson's book Death by Living

Every soul waits in the wings. Every life taken in age, tired and ready, taken in youth, in shock and sorrow, taken in pain or taken in peace, every needle now hidden in shadow waits in eager silence. I see my cousin. My nephew. Many faces, forgotten by those who followed behind, known always by the Author who needs no stone reminders. He is the best of all possible audiences, the only Audience to see every scene, the Author who became a Character and heaped every shadow on Himself.

To His eyes, you never leave the stage. You do not cease to exist. It is a chapter ending, an act, not the play itself. Look to Him. Walk toward Him. The cocoon is a death, but not a final death. The coffin can be a tragedy, but not for long. There will be butterflies.
My parents were planning to retire to a home in Auburn. This past winter, my Dad finally sold the house, and so I went there to remove the last of the items before the closing. I found some especially precious objects to keep: a collection of three brass butterflies that were my mother's, and an exquisite lamp, handed down to my mother by an older relative, covered in rainbow-colored, hand-painted, gilded butterflies.They are displayed in our den, near the family sofa, a daily reminder to me of the Things to Come.

Sunday, March 16, 2014

Book Review: John Knox (Christian Biographies for Young Readers)

Simonetta Carr has created a wonderful series of biographies that highlight faithful personages from church history, and this is the second of her books we have been able to review. This latest volume is based on the life of John Knox.

I have to admit I knew very little about the Scottish reformer before reading this book; I had only a general idea of his positions and his importance within the greater Reformation and was greatly impressed and surprised by all that I learned.

Knox's narrative is naturally exciting, from his early adventures as a prisoner at sea to his later confrontations with Scottish and British royals. Carr has created an easily readable account set in a detailed historical context, which included many of the names and places we have been learning about in our medieval to modern history studies. It is apparent that for this book, as with others in this series, careful research goes into writing such a thorough account, yet the author manages to keep it from being too tedious and even makes it enjoyable.

Knox's first days as a reluctant preacher through his rise as a prominent (and disparaged) reformer to his interactions with John Calvin in Geneva and his collaboration with other Scottish Protestants in crafting the Scots Confession make for a captivating read. Our oldest son is now seven, and this was the first time I have been able to read a book like this with him in one sitting. In fact, he was so fascinated he begged me to finish it rather than ending at one of the chapter breaks, as we had done in the past when reading about Anselm or Calvin.

I also appreciated the more personal aspects Carr included: Knox's doubts about becoming a preacher, his devotion to his wife even though they were often separated for months or years, how he led daily family devotions in his home for his family and guests, and how he remained committed to the preaching of God's Word to the end of his life, even in his weakened, dying state. Stories such as this encourage believers today to continue in the work of the Lord despite persecution and hardship.

This beautifully bound hardback series has always included excellent artistic representations and this edition is no exception. The picture-book quality is enhanced by colorful maps, portraits of prominent persons, photographs of key locations, and hand-drawn illustrations of important moments. I also appreciated that Carr includes quotations from many letters, publications, and friends of Knox in order to provide personality and context for the story. At the end of the book, the publisher has reprinted the first four articles from the Scots Confession that Knox helped write. I was, however, disappointed that there were no excerpts from any of Knox's "fiery sermons" for which he was so famous. Perhaps there are no written accounts!

Overall, I found this an excellent biography for all ages, but especially for younger elementary children who are just beginning to read longer chapter books, because it still feels like a "picture book," yet offers a slightly challenging read and provides a wealth of information. Her acknowledgements even include some possibilities for further reading, which I might delve into in the future.

We are grateful to Reformation Heritage Books for sending us a copy to review. The opinions expressed in this review are solely my own.